The ANU Southeast Asia Institute aims to maintain and promote the role of The Australian National University as the world’s premier institution in the field of Southeast Asian studies, through the conduct of research, the practice of teaching, and a broad range of outreach activities.
For 2023-24, SEAI will prioritize initiatives and activities that: Develop explicitly regional approaches to Southeast Asia, including comparative studies. Our endeavours will complement the country-focused efforts of other ANU Regional Institutes; and Emphasize the theme of security, broadly-defined. This will include geopolitics and military security, but also the nexi between economics and security, development and security, environment and security, domestic politics and regional security, and 'non- traditional' security issues such as climate change, technological challenges, etc.
SEAI is led by the Director, Professor Evelyn Goh, who is supported by a Working Committee of six other colleagues from the ANU College of Asia and the Pacific, as well as an Advisory Board.

The ANU Southeast Asia Institute is proud to launch our original eight-episode interview series titled Southeast Asianists: Scholarly Profiles.
Hosted and produced by Emir Syailendra, this limited series profiled eight scholars who have spent numerous years contributing to our understanding of Southeast Asia as a region, namely: Prof Evelyn Goh, Prof Anthony Milner, Prof Khong Yuen Foong, Prof Cheng-Chwee Kuik, Dr Rizal Sukma, Prof Robert Cribb, Prof Virginia M Hooker, and Prof Anthony Reid.

The ANU Southeast Asia Institute organised the inaugural Southeast Asia Regional Geopolitical Update on Monday 1 May 2023, held in-person on ANU campus, with an additional online audience. This landmark Regional Geopolitical Update adopted the original and timely theme of 'Crossroads, Lifelines, and Guardrails'. We tackled Southeast Asia’s geographical, historical, and socio-political condition as a crossroads for trans-regional flows of people, goods, beliefs and practices. We also unpacked Southeast Asia’s current sense of standing at the crossroads of game-changing geopolitical transitions. The Update addressed four inter-linked question sets: Can Southeast Asian states continue to avoid invidious choices between the great powers? What does ‘strategic equilibrium’ look like for Southeast Asians?; How will Southeast Asian political economies ensure the security of critical supply chains and technology, and the sustainability of development imperatives?; What are the best ways of securing sea lines of communication and vital land routes given strategic uncertainties? and How can the region update and innovate mechanisms for guarding against intramural disputes as well as external tensions and armed conflicts?

New Mandala provides anecdote, analysis and new perspectives on Southeast Asia. It devotes its attention to the politics and societies of Southeast Asian countries, and their connections with one another. New Mandala has a proud record of contribution to scholarly and popular debates and played a pioneering role in the digitisation of Southeast Asian studies.
New Mandala is hosted by the Australian National University’s (ANU) Coral Bell School of Asia Pacific Affairs in the College of Asia and the Pacific. The editor of New Mandala is Dr Liam Gammon.

ArtRadar journal provides contemporary art, online art exhibition, art school programs, art classes near you, art trends, and Asian art.

AAA collection comprises a vast range of documentation, including the personal archives of significant artists, educators, and art professionals as well as key exhibitions and art spaces.

The online journal for the study and exhibition of the arts of Asia. Asianart is dedicated to all aspects of Asian art. It offers a forum for scholars, museums and commercial galleries.

The National Gallery of Victoria has collected art from the countries of Asia since 1862. The Asian collection included in this resource spans paintings, woodblock prints, ceramics, screens, scrolls, costumes, textiles, puppetry and bronze sculptures from China, Japan, Korea, Iran, Pakistan, Afghanistan, India, Nepal, Burma, Vietnam and Indonesia from 2400 BC to the twenty-first century.

DREAMSEA is s a program to preserve Southeast Asian manuscripts and their contents and aims to disclose the immense cultural treasures to the world. The main method used by DREAMSEA is to gather as much information as possible from Southeast Asian societies about the existence of manuscripts. After proper assessment and checking, a DREAMSEA team will digitise the manuscripts to save the literary heritage and safeguard cultural diversity without having to pay high financial costs. The digitised manuscripts will then be made fully and openly accessible online.
There are more than 2.000 manuscripts from Indonesia, Thailand, and Laos. You can trace every missions on the interactive map. Zoom in and out to point the locations, and click the marker to see the detailed informations. The identified manuscripts covered up to 27 languages, 18 scripts and various subject matters which contain very rich cultural diversity.

IIAS connects knowledge and people, contributing to a more integrated understanding of Asia today by focusing on relevant themes and issues together with scholars and practitioners throughout the world.

The Asian Art collection at NGA includes the collections Devotion; Nature; People; Time & Place; Treasure A Textiles; and Provenance Research. There are also wonderful collections of learning resources including Contemporary World: Indonesia; Inside out: new Chinese art; Picture Paradise: Asia-Pacific photography 1840s-1940s; and more.

The Metropolitan Museum of Art presents over 5,000 years of art from around the world for everyone to experience and enjoy. The Metropolitan Museum of Art collects, studies, conserves, and presents significant works of art across all times and cultures in order to connect people to creativity, knowledge, and ideas.

The Met’s Heilbrunn Timeline of Art History pairs essays and works of art with chronologies, telling the story of art and global culture through the Museum’s collection.

In the decade since it commenced, the Virtual Angkor project has evolved organically to encompass new technologies and approaches in an effort to present a comprehensive reconstruction of the city and its inhabitants. Virtual Angkor is a collaboration between archaeologists, historians and Virtual History specialists based in Australia, Cambodia and the United States. The project received the American Historical Association’s Roy Rosenzweig Prize for Innovation in Digital History in 2019 and the 2021 Digital Humanities and Multimedia Studies Prize from the Medieval Academy of America.

The Borobudur Temple Compound is one of the greatest Buddhist monuments in the world, and was built in the 8th and 9th centuries AD during the reign of the Syailendra Dynasty. The monument is located in the Kedu Valley, in the southern part of Central Java, at the centre of the island of Java, Indonesia. The main temple is a stupa built in three tiers around a hill which was a natural centre. The walls and balustrades are decorated with fine low reliefs illustrating the life and teachings of the Buddha. Around the circular platforms are 72 openwork stupas, each containing a statue of the Buddha.