From rock art to Australian modernism, from bark paintings to the Heidelberg School, The Cambridge Companion to Australian Art provides a wide-ranging overview of the movements, themes and media found in Australian art.

The Routledge Companion to Art and Activism in the Twenty-First Century brings together a wide range of geographical, cultural, historical, and conceptual perspectives in a single volume of new essays that facilitate a deeper understanding of the field of art activism as it stands today and as it looks towards the future.

Drawing from the work of Dewey, Wittgenstein and Heidegger, this book aims to relate a series of philosophic insights to the practice of engaging in design research for change. These insights are explored and presented as a set of potential strategies for grounding transformative design research within an intellectual context which both embraces and celebrates experience, process and uncertainty.

This edited volume uses an interdisciplinary approach to art and design that not only reframes but also repositions agendas and actions to address fragmented global systems. Contributors explore the pluriverse of art and design through epistemological and methodological considerations.

This book illuminates the crucial role photography played from the very beginning of the Russian colonial presence in Central Asia and its entanglement with the orientalist legacy that followed.

This edited volume considers the many ways in which landscape (seen and unseen) is fundamental to placemaking, colonial settlement, and identity formation. Collectively, the book's authors map a constellation of interlocking photographic histories and survey practices, de-centering Europe as the origin of camera-based surveillance.

Discover the secrets behind Botticelli's dream-like designs, admire Klimt's gold-laced erotic surrealism, and explore the emotion of Van Gogh's swirling brushwork as you journey through the ages of Western art. This title offers a clear insight into artists, themes, paintings, techniques, and stories.

Glass Notes, 4th Edition is fully updated and rewritten from the previous edition. It describes in detail through illustrations and photographs how to build a modern glass studio. It has information on building: Furnace building, annealing ovens, glory holes. Information on glass batching, sand casting, kiln casting, mold making, burners, recuperation of heat, fuming, fusing, pate de verre, electrical calculations, and lots more information that pertain to the building and running of a modern glass studio.

This unique publication will provide a wide-ranging and intellectually challenging reference to indigenous Australian art, covering documented archaeologically traditions, art styles of the early contact period and the nineteenth century, and the development of the remarkably diverse contemporary Aboriginal and Torres Strait Islander art practices that have attracted so much attention in recent years.

The Oxford Handbook of Sound and Image in Western Art examines, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms. The book represents state-of-the-art case studies with key figures of modern thinking constituting a foundation for discussion. It thus emphasizes avant-garde and experimental tendencies, while analyzing them in historical, theoretical, and critical frameworks.

This book provides a conceptual and global overview of the field of Surrealist studies. Methodologically, the companion considers Surrealism's many achievements, but also its historical shortcomings, to illuminate its connections to the historical and cultural moment(s) from which it originated and to assess both the ways in which it still shapes our world in inspiring ways and the ways in which it might appear problematic as we look back at it from a twenty-first-century vantage point.