Quebec filmmakers talk about themselves and their cinema.

The Oxford Handbook of Canadian Cinema offers an overview of the current state of thinking around Canadian cinema. The volume was conceived to register the variety of voices expressing themselves within Canadian cinema with special attention paid to Indigenous, Quebecois, and diasporic identities.

An analysis of the evolution in West African French-language cinema from 1990 to 2005. Through the medium of film, this study analyzes the representation and experience of three figures of otherness: the madman, the homosexual and the woman.

With contributions from an international range of specialists, and with considerations of works by contemporary directors like Rachid Bouchareb, Abderrahmane Sissako and Rithy Panh, Cinema-monde explores the porous borders around francophone spaces and the ways in which languages and identities travel' in contemporary cinema.

This work introduces the reader to the rich film production of the French-speaking countries outside France, commonly called Francophonia, comprised of Belgium, Switzerland, Quebec, the Caribbean, the Maghreb and many sub-Saharan countries.