The battles fought in the name of the ‘war on terror’ have re-ignited questions about the changing nature of war, and the experience of war for those geographically distant from its real world consequences. What is missing from our highly mediated experience of war? What are the intentional and unintentional processes of erasure through which the distortion happens? What are their consequences? Cinema is a key site at which questions about our highly mediated experience of war can be addressed or, more significantly, elided. Looking at a range of films that have provoked debate, from award-winning features like Zero Dark Thirty and American Sniper, to documentaries like Kill List and Dirty Wars, as well as at the work of visual artists like Harun Farocki and Omer Fast, this book examines the practices of erasure in the cinematic representation of recent military interventions.

The story of America as seen through the eyes of the former Secretary of Defense, under President Kennedy and President Johnson, Robert S. McNamara. McNamara was one of the most controversial and influential political figures of the 20th century. Now, he offers a candid and intimate journey through some of the most seminal events in contemporary American history. He offers new and often surprising insights into the 1945 bombing of Tokyo, the Cuban Missile Crisis, and the effects of the Vietnam War.